Far from idyllic sceneries, Vinita paints landscapes that are ravaged by war and destruction, urban decay, environmental degradation, social squalor and overpopulation, and the dynamics of the socio-economic forces. She laces them inside the caramel of her faith, a faith that belongs not to one religion but to all religions of men.

All faiths in one flask bobbing up and down on the ocean of seeming infinity: a metaphor for the stretch of her journey in life. Every spot on the earth has been her successive home, each a source of the storehouse of gentle memories. Developed countries fill her with forebodings that the horizons of human achievement are near the uninhabited wastelands of the deserts and the half-done towns. Do dots their potentials take course through her works? Where will home be for a Punjabi daughter at the end?

Vinita explains that the Punjabis are group of people who live in north of India. They love to work hard, play much, live an active social life, and love the good life. Every Punjabi is proud that he has a prolific interest in education in the arts such as poetry, music, dancing, architecture, painting and sculpture. This heritage shows up in Vinita’s accomplishments as a double degree holder in business administration and economics, a master in fine arts degree in the University of the Philippines in 2007, and as a great cook and pastry baker.